MusicPhysio Congress 2018

University of Sydney, Sydney, Australia

• Senior Lecture in Biomedical Sciences
• Editor of Medical Problems of Performing Artists (MPPA)
• Board member of Performing Arts Medicine Association (PAMA)

新老虎机平台,最新老虎机 für Musik, Theater und Medien Hannover, Institut für Musikphysiologie und Musikermedizin

Dr. Altenmüller ist Professor und Direktor des Instituts für Musikphysiologie und Musikermedizin und der 新老虎机平台,最新老虎机 für Musik und Theater Hannover.

Nach seinem Abschluss in Medizin und Musik arbeitete er als Postdoc in der Abteilung für Klinische Neurophysiologie in Freiburg, wo er die Gehirnaktivierung w?hrend der auditiven Verarbeitung von Musik und das Erlernen von Feinmotorik erforschte. Er erhielt seine klinische Ausbildung in Neurologie an der Neurologischen Klinik der Universit?t Tübingen (Leiter der Abteilung Prof. Dr. J. Dichgans). Seit 1994 ist er Vorsitzender und Direktor des Instituts für Musikphysiologie und Musikermedizin. Er forscht weiter an Bewegungsst?rungen bei Musikern und am motorischen und sensorischen Lernen sowie an den Auswirkungen von Musik auf Emotionen.

Dr. Altenmüller ist seit 2005 Mitglied der renommierten Akademie der Wissenschaften zu G?ttingen. 2013 erhielt er den Wissenschaftspreis des Landes Niedersachsen, seit 2015 ist er Vizepr?sident der 新老虎机平台,最新老虎机 für Musik, Theater und Medien, Hannover.

Professor Lorimer Moseley graduated in Physiotherapy with Honours in Biomechanics in 2002. He worked clinically for the NSW Academy of Sport as part of its olympian preparation programme, and then shifted to a role with a persistent pain program. After 7 years clinical practice, he combined clinical practice with a PhD from Sydney University (2002).  After a post-doctoral fellowship at Royal Brisbane & Women’s Hospital/University of Queensland, he became the first physiotherapist to be appointed Nuffield Research Fellow at Oxford University UK (2004). In 2007 he was judged by the International Association for the Study of Pain, as the outstanding mid-career clinical scientist working in a pain-related field. In 2011, he became Australia’s youngest Chair in medical or allied health, appointed Professor of Clinical Neurosciences and Foundation Chair in Physiotherapy at the University of South Australia. He was made Fellow of the Australian College of Physiotherapists in 2012, honoured member of the Australian Physiotherapy Association (its highest honour) in 2014. In 2017, he became the first physiotherapist to be made Honorary Fellow of the ANZCA Faculty of Pain Medicine, in recognition of contribution to the field of pain management and anaesthesia, and in the same year the first DSc recipient from the University of South Australia, for his outstanding contribution to the management of pain internationally.  He has written over 300 articles and five books. He is Strategic Adviser for PAIN, editorial board member for the European Journal of Pain, the Journal of Pain and British Journal of Sports Medicine.  His research group’s outreach and engagement strategise are internationally renowned, including bodyinmind.org, tamethebeast.com,  the Pain Revolution Rural Outreach & Cycling Tour and the Local Pain Educator Programme, the Art of Pain and the MODify Exhibition. Their public videos and articles have been read/viewed over 5 million times, not including closed circuit sharing such as the case in many publish hospital and community centre waiting rooms internationally. In 2018, he became the first non-American winner of the prestigious Public Service Prize. Lorimer lives in Adelaide, the home of the Karna people of the Adelaide plains, and rides a push scooter to work in 8 minutes.

Bethesda Physiocare, Maryland, USA

• Treatment of myofascial syndromes
• Treatment of chronic pain syndromes
• Expertise in dry needling techniques

Department of Health Sciences, Lule? University of Technology, Lule?, Sweden

Main focus is musculoskeletal disorders and motor control and motor learning. This interest has led me to initiate research on musicians’ health and performance; a professional group with a high prevalence of musculoskeletal pain, combined with exceptionally high demands on good motor control and many practice hours. My interest in motor control and has also guided me towards research in sports science (fly casting) and balance control in older people with fear of falling and people with chronic obstructive pulmonary disease. I enjoy working in cross-disciplinary projects combining expertise from health & medicine with performing arts and engineering and physics, e.g., for increased knowledge about motor control, technical developments and robotics. 

Sento Medical Manual Therapy Practice, Amsterdam, Netherlands

Classic Singer (Countertenor)

• Clinical expertise in manual therapy and singing

Physio ED, London

• Director and Lead Physiotherapist Physio ED Medical 
• Expertise in treatments for vocal patients 
• Expertise in management of dance and performance related injuries

Walkingfaces, Arnhem, Netherlands

• Walkingfaces.nl - physische Poesie, die Skulptur von Menschen in Bewegung, Studien: -
• Universit?t von Amsterdam, Niederl?ndische Studien, Psychologie / Graphologie, -
• Theaterschule Amsterdam: Pantomime und moderner Tanz, - Comobrothers, Thomas Leaphart Illinois, Martha Graham, Jane Dudley LSCD,

Institut de Fisiologia i Medicina de l'Art-Terrassa Barcelona, Spain

• Doctor of medicine
• Research in Performing Arts Medicine, neurorehabiliation, moror learning, musculoskeletal disorders
• Expertise in Differential Learning to musician's injuries treatment and prevention; focal dystonia

University College London, England

• BOC-Certified Athletic Trainer, UK Registered Sports Therapist, NASM-Certified Personal Trainer, and Performing Arts Medicine Specialist from New Jersey, USA
• Associations, including the International Dance Council, the International Committee for the National Athletic Trainers’ Association, and she is the student representative on the board of directors for the International Foundation for Performing Arts Medicine
• Member of the International Association of Dance Medicine and Science, as well as the Performing Arts Medicine Association
• For her MSc Performing Arts Medicine research, Lisa Brachfeld was the recipient of the ‘BAPAM Best MSc 2017 Award’ and the ‘UCL Faculty of Medicine Research Prize Nomination

Department for Research and Development at the University School of Music in Lugano, Rehabilitation Research Laboratory (2rLab) of the University of Applied Sciences and Arts of Southern Switzerland

• Her research interests in the artistic research field lie in analysing typical playing-related injuries in musicians and promoting new preventive strategies among schools of music.
• Developing and designing the new “Modulo Salute”, an innovative preventive course that has been recently integrated in the educational curriculum at the University School of Music in Luga
• Past Projects: Breath-(take)ing Flutes. An investigation of playing the flute under stress (MAS Dissertation, 2013); Effects of Fitness training and Yoga training on musicians’ health and wellbeing (2014); Design for Wellbeing (2017/2018

University of Applied Sciences Osnabrück, Germany. Institut für angewandte Physiotherapie und Osteopathie, Osnabrück, Germany

• Manual therapy OMPT, DVMT?
• Expertise: Manual Therapie, CRAFTA (Therapy for craniomandibular Dysfunktion), treatment of  vocal dysfunction, NOI: The sensitiv nervous system, Musikerphysiotherapie
• Study-up Award 2010
• IFK award 2013 

 Senior Lecturer in Musicphysiology at University of Music and Performing Arts Vienna (mdw)

-       Program leader of postgraduate course “Certificate in Advanced Studies in Music Physiology” at mdw

-       Author and Co-Author of the books “Musiker in Bewegung”, “Musicians in Motion” and “Musikergesundheit in der Praxis”

-       Active flutist and physiotherapist

-       Research: Respiration and respiratory training in wind players

-       Teaching: Posture and movement with instrument, practice and training schedules, musicians’ health, prevention programs

-       Treatment: (Playing related) musculoskeletal disorders, myofascial pain syndromes

Corresponding address:

Alexandra Türk-Espitalier, MSc

University of Music and Performing Arts Vienna

Anton-von-Webern-Platz 1

1030 Wien/Austria

Mail: tuerk-espitalier@mdw.ac.at

Web: www.musik-physio.de, www.musikundgesundheit.at

University of Applied Sciences Osnabrück

Academic Qualifikation:

• 1985: B.Sc. Physiotherapy (Hogeschool Enschede NL)
• 1999: M.Sc. Physiotherapy (Catholic University in Leuven (B))
• 2005: PhD in Movement and Rehabilitation Science (Stafford University (UK))

Main research:

• Functional Sonography of craniomandibular dysfunction
• Since 2012: Mechanical traction oft the hand in carpaltunnelsyndrome
• Since 2012: Left / Right  Recogniton oft the face in  normal and  patients with pain. Cross-section Study online
• Alexithymia in Patients in chronic face pain  A cross-section study from 2010 uptill now
• 2009 to 2010: Posture qualities in CMD Patients and controls
• 2006 to 2011: The efficacy of treatment of Craniomandibular Dysfunctions (CMD) in patients with long term neck complains; A randomized, controlled multicentre trial

Riga Stradins University, Latvia

• ORTO CLINIC” (traumatology and orthopaedics) Physiotherapists
• Expertise in manual therapy

Suzanne Wijsman is a cellist and Associate Professor in the Conservatorium of Music at the University of Western Australia (AU). She received her education at the Oberlin Conservatory of Music and Oberlin College (USA), as well as receiving MMus and DMA degrees from the Eastman School of Music (USA). She also undertook study at the International Cello Centre (UK) under a Fulbright Award. Suzanne has performed extensively in the USA, Australia and Europe, in chamber music or as recitalist. Projects initiated by Suzanne in the field of musicians’ health have included the application of motion capture technology to study the biomechanics of cello bowing, and a major project in collaboration with Bronwen Ackermann of the University of Sydney, the Musicians' Health Curriculum Initiative (Priority Projects grant, Australian Office of Learning and Teaching), which developed the online musicians’ health learning resource soundperformers.com. She is currently Academic Lead for a Worldwide Universities Network (WUN) Research Development Fund collaborative project, Health Education Literacy and Mobility for Musicians: a global approach, which aims to develop and test multi-modal, multi-cultural, translational applications of online health information in music performance teaching settings: https://wun.ac.uk/wun/research/view/health-education-literacy-and-mobility-for-musicians-a-global-approach.

Miki Akaike is a second doctoral student in the University of Tokyo, Japan. Her primary focus lies in the area of quality of higher education in music and to clarify the education environments related to the Music, Health, and Medicine (MHM). Her final goal in the doctoral dissertation would propose the ideal learning environment for MHM Education. After getting the Ph.D., she plans to create a comprehensive curriculum of MHM and to promote a sustainable educational system beyond universities for learners around the world. She has been engaging herself as a member of the public relations for the students in the University of Tokyo and making coverage and to create the environment in which students’ activities can be enhanced. Before returning to the academic area, she has contributed in the organization design, service design, and design/operation of internal quality assurance system on the international organization for standardization (ISO) in the field of the business process outsourcing (BPO) service companies in Japan for ten years. She holds a Master’s degree in Management and Bachelor’s degree in Economics. She also worked as a flute teacher and player in Japan for five years. In 1994, she won the first prize in the solo competition for the wind and percussion instruments in Yamanashi. She studied the flute in Tokyo and Berlin from 1995 to 1998.

Sanne Verbogt is a 25-year-old bass player, graduated at the Codarts conservatory as a Master of Music in 2016. Besides playing various music styles as a session player and writing music for her own ensembles, Sanne is interested in doing research in both music and education. In 2017 she graduated as a Master in Education Science at the university of Antwerp, with a research intro injury prevention among conservatory students. Sanne is currently doing a doctoral study in both Education Science (university of Antwerp) and Music (Codarts). Sanne teaches and designes music programs at the Codarts conservatory and has published her own music theory method for strings, SV Method.

University of Applied Sciences Osnabrück, Germany

• Evidence-based practice 
• Developing and validation of assessment tools
• epidemiological studies
• statistic software program: R, SAS, SPSS

University of Applied Sciences Osnabrück, Germany 

• Alice G. Brandfonbrener Young Investigator Award der amerikanischen Vereinigung darstellender Künste (Performing Arts Medicine Association, PAMA): “The Potential Relevance of Altered Muscle Activity and Fatigue in the Development of Performance-related Musculoskeletal Injuries in Upper Musicians”. Chapman University, Orange, Ca/USA

University of Applied Sciences Osnabrück, Germany

• Professor for violin and viola

New York University, Department of physical theraspy, Steinhardt school of culture, education and human development, New york, USA

• Clinical research and health care industry.
• Skilled in Movement Analysis, Neurorehabilitation, Sports Medicine, and Healthcare.
• Research professional with a Master's degree focused in Physical Therapy from New York University

Oliver Margulies, PhD, MA, MAS. BA and MA studies for violin with R. Zimansky and A. Oprean and viola with Hatto Beyerle. 2005 to 2007 member of the UBS Verbier Festival Orchestra and 2005 of the Lucerne Festival Academy. Freelance work as chamber musician and in Swiss orchestras. Since 2007, teacher at the Zurich Music School and Conservatory. 2008 certificate as Dispokinesis teacher. Counseling and group courses in Dispokinesis. MAS in Music Physiology earned 2011 at the ZHdK. PhD in Scientific Music Education earned 2017 (joint PhD program between the Graz University of Performing Arts (KUG) and the ZHdK). Teacher for workshops in music physiology and lectureship at the Vorarlberg State Conservatory. 2009 Co-founder of the Zürcher Zentrum Musikerhand. From 2010, part-time assistant researcher in the Music Department of the ZHdK.

 Akdeniz University Faculty of Health Sciences, Physiotherapy and Rehabilitation Department,TURKEY

• Expertise: Pelvic Health Pyhsiotherapy. Women's & Men's Health Physiotherapy, Lymphoedema Physiotherapy