Artistic Major Subject (Jazz) IV
- Faculty
Institute of Music
- Version
Version 9.0 of 02/04/2021
- Code of Module
66B6125
- Modulename (german)
Künstlerisches Hauptfach (Jazz) IV
- Study Programmes
Musikerziehung - Jazz (B.A.)
- Level of Module
4
- Responsible of the Module
Weber, Florian
- Lecturer(s)
- Schimmeroth, Alexa-Kim
- Wahl, Andreas
- Niescier, Angelika
- Seifert, Achim
- Jasper, Burkhard
- Thomé, Christian
- Schoenefeldt, Christian
- Donker, Gerold
- K?ster, Frederik
- Weber, Florian
- Wingold, Frank
- Duppler, Lars
- Held, Pablo
- Gramss, Sebastian
- Schulze, Stephan Jochen
- Rückert, Thomas
- Winck, Volker
- Credits
25
- Concept of Study and Teaching
Workload Dozentengebunden Std. Workload Lehrtyp 54 individuelle Betreuung 36 betreute Kleingruppen Workload Dozentenungebunden Std. Workload Lehrtyp 300 Veranstaltungsvor-/-nachbereitung 300 Prüfungsvorbereitung
- Recommended Reading
Bei den folgenden Literaturangaben handelt es sich um eine Auswahl, die im jeweiligen Einzelunterricht instrumentenspezifisch erg?nzt wird:Mark Levine: The Jazz Theory BookMichele Weir: Vocal ImprovisationJ. Aebersold diverse Jazzconceptions, Jim Snidero / AdvanceJazzguitar Comping, Barry Galbraith / AebersoldA Chordal Concept for Jazzguitar, Peter o'Mara / AdvanceReading Studies for Guitar, William G.Leavitt / BerkleeMelodic Rhythms, William G. Leavitt / BerkleeEtüden für Klarinette, Fritz Kr?pschSolosuiten für Cello, J.S. BachPentatonics, Jazzline, Developing a Jazzlanguage, Jerry Bergonzi / AdvanceRealbooks/Omnibook/557 Jazzstandards - From Swing to BopThe Advanced Guitarist, Mick Goodrick / BerkleeJazztheoriebuch, Frank Sikora / SchottHow to Improvise, Hal Crook / AdvanceIntervallic Improvisation, Walt Weiskopf Jim McNeely: Claire Fisher: Sher Music:Sher Music: Jamey Aebersold: Bill Dobbins diverseJim Mc Neely David Liebman: Antonio Adolfo: 'The art of comping', 'Harmonic exercises', 'The Artistry of Bill Evans ''Chick Corea Now he sings now he sobs''Herbie Hancock Classic Compositions and Piano Solos ' 'McCoy Tyner Piano transcriptions''A chromatic approach to Jazz harmony and melody''Brasilian Music Workshop' Rebecca Mauleon: 'The Salsa Guide Book' Kenny Werner: 'Effortless mastery' Charlie Parker - OmnibookPaul Chambers - The Music of Paul ChambersSimandl - Kontrabass-SchuleSimandl - Etüden Rufus Ried - The Evolving Bassist John Goldsby - Bowing Techniques for the Improvising BassistRay Brown - Bass MethodMarc Johnson - Solokonzepte für BassChuck Sher - The Improvisor's Bass MethodD. Baker: The Jazz Style of Sonny RollinsEugene Rousseau: Das H?henregister des SaxophonsVolker Winck: Skript Fachdidaktik SaxophonJerry Coker: Patterns for JazzOliver Nelson: Improvisations- und StilübungenJerry Bergonzi: Melodische StrukturenJerry Bergonzi: Jazz LineD. Baker: The Jazzstyle of Cannonball AdderleyD. Baker: The Jazzstyle of John ColtraneJazz Artist Series (Don Sickler): The Artistry of John Coltrane J. Bergonzi: "Pentatonics" John Riley: The Art of Bop DrummingJohn Pickering: Studio/Jazz Drum CookbookDave Weigert: Workshop for Bass and DrumsGeorge Lawrence Stone: Stick ControlGeorge Lawrence Stone: Accents and ReboundsMitchell Peters: DexterityMitchell Peters: Intermediate Snare Drum StudiesCharlie Wilcoxon: 150 Rudimental SolosCharlie Wilcoxon: Modern Rudimental Swing SolosFrank Malabe/Bob Weiner: Afro-Cuban Rhythms for DrumsetDuduka da Fonseca/Bob Weiner: Brazilian Rhythms for DrumsetJohn Riley: Beyond Bop DrummingHerlin Riley/John Viadocovich: New Orleans Jazz and Second Line DrummingRoyal Hartigan: West African Rhythms for DrumsetBig Band ChartsSelbst erstellte Transkriptionen
- Graded Exam
Examination of Artistic Qualification
- Ungraded Exam
Regular Participation
- Examination Requirements
- Duration
2 Terms
- Module Frequency
Winter and Summer Term
- Language of Instruction
German